Last year I participated in the Playwrights’ Junction workshop offered by the Sudbury Theatre Centre and led by playwright-in-residence Matthew Heiti and it was one of the best learning of experiences of my writing career yet. They’re currently taking applications for the 4th season of the workshop (Deadline is September 15th) and I want to tell you why you should consider applying.
“But I’m not a playwright and have no intention of writing for the stage.”
When I applied last year I had no illusion that I was a playwright, but I didn’t let that stop me. Writing for the stage is a unique experience, but there is a whole lot of overlap between writing prose for novels as there is in writing for theatre. I went in with an open mind. One of the things about being a “new” writer is that we are often trying to find our voice. Part of that journey can be experimenting in different genres and different mediums.
Here’s just a few of the things I appreciated about the workshop and that helped me grow as a writer.
- DIALOGUE – In writing prose for novels, you can spend pages setting scenes, describing character’s motivations, moods and backstory. In theatre a lot of what gets conveyed to the audience is done through dialogue between characters (or in some cases monologues). The workshop definitely helped me see dialogue in an entirely new light.
- MOTIVATION – If you’re like me it’s easier to say “I will get around to finishing that scene tomorrow, after I’ve binge watched this latest season on Netflix.” than it is to get motivated to spend time writing something that isn’t flowing. The writing assignments we had in the workshop helped motivate me into writing to a deadline. It was surprising how easy it was to get the muse to cooperate when there was a looming deadline to turn in an assignment.
- FOCUS – Writing for the stage has unique constraints that might seem limiting by some, but can actually be freeing as it forces you to focus your writing. Your writing becomes sharper when you have to do more with less.
- FEEDBACK – As scary as it sounds to some people, getting feedback on your work is an essential part to improving your craft. Having people critique your work in the workshop helped me to learn what was working and what wasn’t in my writing. Almost more important was what I learned by critiquing other people’s work. I could see my own strengths and weaknesses as a writer reflected back at me in their own work.
- SHARING – Writing can be a very solitary and lonely experience. We often toil at our drafts for weeks, months, years on end before they see the light of day. The writing workshop allowed me share my work with my fellow playwrights and the instructor. As part of our “graduation” we had one of our pieces read aloud by professional actors in front of a live audience. Getting a laugh for a line you wrote can be just the carrot you need to keep writing.
I can’t say enough about Matthew Heiti as the instructor. Matthew is knowledgeable beyond his years when it comes to writing both prose and for the stage. He treated us fledgling playwrights as peers and gave us this once in a lifetime look behind the scenes of what goes into developing work for the stage.
I am forever grateful for the experience of being a part of the Playwright Junction and I hope you’ll take the opportunity to apply.
I’ll be in the audience cheering you on if you do apply.
Eight local artists will be celebrated at the inaugural Mayor’s Celebration of the Arts this Thursday May 1st 2014 at 5:30 p.m. at the Laurentian School of Architecture.
Poet Daniel Aubin, playwright Mathew Heiti, musician Alexandra Lee and choreographer/dancer Lauren Pero have been shortlisted for the Sudbury Arts Council Award for Outstanding Emerging Artist.
The CN Award for Exceptional Achievement in the Arts will be presented at the event as well. Shortlisted for this aware are musician/producer Dan Bédard, composer Robert Lemay, musician/actor/broadcaster Stef Paquette and visual artist Heather Topp.
Tickets for the event are $50 and are available at Artists on Elgin or through Théâtre du Nouvel-Ontario by visiting their website at www.letno.ca/billetterie or calling 705-525-5606, ext. 4 or, or through any of the Creative Consortium organizations.
Creative writing teacher and editor Brian Henry is returning to Sudbury this spring to give a workshop on How to Make Your Stories Dramatic. Hosted by the Sudbury Writers’s Guild the workshop promises to be a popular one.
From Brian’s website – The Quick Brown Fox
This workshop is geared to both beginners and more experienced writers. We’ll look at the most important part of all stories whether fictional or true: the fully dramatized scene. You’ll learn some of the most successful tricks of the trade to make sure that you’ll never write a lifeless scene again.
We’ll look at both dialogue and action scenes. You’ll learn how to write great dialogue and how to mix it with your narrative so that the interaction between your characters comes alive. But the most difficult scenes of all are climactic action scenes; such as love scenes, chase scenes and fight scenes. Primarily using fight scenes as our examples, you’ll learn how to ramp up the tension you need for one of these high-octane performances.
For more details and to register, please visit the workshop page at Brian’s site – How to Make Your Writing Dramatic workshop, Sat, March 22, in Sudbury
Fee: $38.94 + 13% hst = $44 paid in advance.
or $42.48 + 13% hst = $48 if you wait to pay at the door.
Sudbury Writers’ Guild members get a $4 discount if they register in advance. Fee in advance for Guild members is $40.